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2016 Year of the Monkey

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These past 365 days are going to linger in my memory, probably forever. It was a cycle of surprise, of risk, of big challenges and big...
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Mimi-nashi Hoichi, a "Small Plates" artist residency at the San Francisco Center for the Book

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  Conjure, if you will, the twang and deep throated rumble of a four-stringed biwa lute, accompanied by the tense v...
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First Public Artwork- I Am An American/Family No 25344/Wartime Civil Control Station

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When the first Japanese immigrant laborers arrived in rural Fresno County in 1900, they cultivated the sandy loam and hardpan lands border...
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2015 raptor calendar

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Just when I was pretty might resigned to the idea that the move from Los Angeles back to the Bay Area (and correlating temporary displacem...
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Heyday's squid ink broadside

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2014 marks the 40th anniversary of the cultural institution that truly built my career, the amazing Heyday — publishers of books about ...
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Clouds on the Horizon

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Overcast winter day in Los Angeles, and the light on the kitchen table— my preferred place to work— is an ashy gray. Surprisingly, it is a q...
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The Steinbeck Journey Videos

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All along the road, through thunderstorms in Oklahoma, the high grasses of Texas, voluptuous clouds of New Mexico, dry desert winds in Arizo...
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